The Folio Society: Wuthering Heights

Emily Brontë

£36.95

Wuthering Heights defies easy classification and stands alone as a uniquely powerful novel that transcends genres. Patti Smith, the singer-songwriter and poet, has written a new, lyrical introduction to this edition, in which she sums up Emily Brontë’s complex gifts.

‘Her untied mind did not create a neat package. In the writing of Wuthering Heights she did not give what was wanted; she gave what she had.’
PATTI SMITH

Certainly Brontë’s contemporaries were not sure the book was what they wanted – especially when they discovered the author was a woman. In 1848, Graham’s Lady’s and Gentleman’s Magazine gasped that it was ‘a compound of vulgar depravity and unnatural horrors’. Yet even its detractors could not help but acknowledge the book’s raw power and tumultuous energy. When Cathy cries out, ‘My love for Heathcliff resembles the eternal rocks beneath – a source of little visible delight, but necessary ... I am Heathcliff!’, the reader thrills in response. And we shudder when Heathcliff, hearing of Cathy’s death, curses her: ‘May you not rest, as long as I am living! You said I killed you – haunt me, then!’

The novel has inspired many film-makers, musicians and artists over the years. This edition contains nine evocative illustrations from the artist Rovina Cai. She captures the swirling moorland air that blows through the book, and merges, just as the novel does, past with present, ghosts with the living. They are a beautiful, fittingly haunting accompaniment to an unforgettable story.

Patti Smith on Emily Brontë’s ‘uniquely powerful’ masterpiece

An extract from the introduction to Wuthering Heights by the acclaimed musician and poet

Through the endless winter of 1847 the Brontë sisters paced, sparred and provoked one another. They had written since childhood; a form of comradely self-entertainment, inventing scandalous histories, warring countries, dueling kings – their own game of thrones. At the ink-stained table, scarred in the center with a candle-burn the size of a small hand, each conceived of her heroine – drawing from the sap of their particular situations. Anne offered her own double with the gentle, empathetic Agnes Grey. In an act of proud defiance, Charlotte created the small, plain and beloved Jane Eyre. Agnes Grey and Jane Eyre each would be obliged to overcome numerous trials before securing constant and fulfilling love-on-earth by book’s end.

And what hath Emily wrought? No such earned splendor. She drew from her restive pulse and unleashed the unquiet apparition of Catherine Earnshaw, whose pale fingers reached from the grave as if to paralyze the breath of her soul’s predestined mate. Those who are not passionate are pallid, and those languishing from passion develop a color of their own – that of death. Charlotte and Anne’s protagonists sought redemption, equilibrium. Emily courted no such outcomes. She created a heroine spawned from interesting winds, reflecting her own emotional range, from inner waywardness to the deep restraint of self-deprivation. Emily was like a small volcano, dormant yet restlessly bubbling, and erupting through the words and actions of her chosen characters. She sternly adhered to her own sense of morality from which she would not waver, not even to appease her extremely vexed sisters. Snipping the chains of convention, Wuthering Heights was declared uniquely powerful, yet so savage and morally repellent that it was to plunge Ellis Bell, like it or not, into the public forum.
 

  • Bound in buckram, printed and blocked with a design by Rovina Cai

  • Set in Adobe Caslon

  • 352 pages; frontispiece and 8 colour illustrations

  • 9½" x 6¼"

  •  

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Wuthering Heights defies easy classification and stands alone as a uniquely powerful novel that transcends genres. Patti Smith, the singer-songwriter and poet, has written a new, lyrical introduction to this edition, in which she sums up Emily Brontë’s complex gifts.

‘Her untied mind did not create a neat package. In the writing of Wuthering Heights she did not give what was wanted; she gave what she had.’
PATTI SMITH

Certainly Brontë’s contemporaries were not sure the book was what they wanted – especially when they discovered the author was a woman. In 1848, Graham’s Lady’s and Gentleman’s Magazine gasped that it was ‘a compound of vulgar depravity and unnatural horrors’. Yet even its detractors could not help but acknowledge the book’s raw power and tumultuous energy. When Cathy cries out, ‘My love for Heathcliff resembles the eternal rocks beneath – a source of little visible delight, but necessary ... I am Heathcliff!’, the reader thrills in response. And we shudder when Heathcliff, hearing of Cathy’s death, curses her: ‘May you not rest, as long as I am living! You said I killed you – haunt me, then!’

The novel has inspired many film-makers, musicians and artists over the years. This edition contains nine evocative illustrations from the artist Rovina Cai. She captures the swirling moorland air that blows through the book, and merges, just as the novel does, past with present, ghosts with the living. They are a beautiful, fittingly haunting accompaniment to an unforgettable story.

Patti Smith on Emily Brontë’s ‘uniquely powerful’ masterpiece

An extract from the introduction to Wuthering Heights by the acclaimed musician and poet

Through the endless winter of 1847 the Brontë sisters paced, sparred and provoked one another. They had written since childhood; a form of comradely self-entertainment, inventing scandalous histories, warring countries, dueling kings – their own game of thrones. At the ink-stained table, scarred in the center with a candle-burn the size of a small hand, each conceived of her heroine – drawing from the sap of their particular situations. Anne offered her own double with the gentle, empathetic Agnes Grey. In an act of proud defiance, Charlotte created the small, plain and beloved Jane Eyre. Agnes Grey and Jane Eyre each would be obliged to overcome numerous trials before securing constant and fulfilling love-on-earth by book’s end.

And what hath Emily wrought? No such earned splendor. She drew from her restive pulse and unleashed the unquiet apparition of Catherine Earnshaw, whose pale fingers reached from the grave as if to paralyze the breath of her soul’s predestined mate. Those who are not passionate are pallid, and those languishing from passion develop a color of their own – that of death. Charlotte and Anne’s protagonists sought redemption, equilibrium. Emily courted no such outcomes. She created a heroine spawned from interesting winds, reflecting her own emotional range, from inner waywardness to the deep restraint of self-deprivation. Emily was like a small volcano, dormant yet restlessly bubbling, and erupting through the words and actions of her chosen characters. She sternly adhered to her own sense of morality from which she would not waver, not even to appease her extremely vexed sisters. Snipping the chains of convention, Wuthering Heights was declared uniquely powerful, yet so savage and morally repellent that it was to plunge Ellis Bell, like it or not, into the public forum.
 

  • Bound in buckram, printed and blocked with a design by Rovina Cai

  • Set in Adobe Caslon

  • 352 pages; frontispiece and 8 colour illustrations

  • 9½" x 6¼"

  •